About

Fifteen years behind
the viewfinder.

I started shooting weddings on borrowed film and never really stopped chasing that same quality of light. These days the work spans ceremonies, portrait sittings, and campaigns for a handful of brands I believe in — but the approach hasn't changed: get close, stay quiet, and let the moment happen in front of the lens rather than for it.

Based between two cities and on the road often. Prints, albums, and full-day coverage available on request.

“The best photograph is the one nobody noticed being taken.”